Thursday, May 14, 2026
Kennedy Center for the Performing Arts’ Arts Across America: Sacred Resonance. Portland Ovations & Indigo Arts Alliance produce an original performance event featuring three Maine artists to be featured in this Kennedy Center national series. Part of the Washington, D.C.-based John F. Kennedy Center for the Performing Arts Social Impact Initiatives, Arts Across America is a program to uplift artists and showcase art from communities and regions across the country. This free, online programming will be available on Facebook Live, YouTube, and the Kennedy Center website.
The Kennedy Center hosts weekly online performances curated by arts organizations in each United State presenting artists and their works, and Maine will air their contribution on November 30th, 2020 @ 4 pm ET / 1 pm PT.
Featured Maine artists include:
- Firefly, a member of the Penobscot Nation and raised in his people’s ancient village at Indian Island, Maine in Firefly: Sacred Fire. A journey through sound, light and emotion from the ancient to the unknown. Deeply influenced by the traditions of his ancestors, Firefly performs both traditional hand drum, shaker and vocal songs as well as cutting edge musical compositions rooted in his ancestral traditions. A hyper creative, Firefly’s artistry involves powerful vocals, eye popping visuals and cutting-edge costumes created by himself and his team.
- Maya Williams (pronouns they/she), Definitions of Home, a showcase of poems touching on mental health, suicide, and racism. Originally from Greensboro, North Carolina, Maya is a Black and Mixed Race suicide survivor residing in Portland since 2017. She has published poems with glitterMOB, The Portland Press Herald, Black Table Arts, Occulum, Littoral Books, Homology Lit, and more. Her work has garnered a Best of the Net Nominee and a PortFringe’s Audience Choice Award as well as residencies with Hewnoaks, Sundress Academy for the Arts (SAFTA), and Voices of Our Nation Arts (VONA) Foundation. Maya hosts open mics on most Tuesday nights with Port Veritas.
- Atiim Chenzira's work titled 'Destiny Manifest' is a seamless seven part multi-media art piece. He utilizes his poetic, hip hop, story-telling and spoken-word lyricism and delivery to explore his ancestral experience. It's a multi-dimensional journey from the East Coast to the West, and back full circle. His work threads through colonialism, racism, classism, globalization, climate change, gentrification, the current pandemic, marriage, and fatherhood as facets of becoming a "new" Mainer.
Sunday, May 3, 2026
Sweet Dew Lovin'
Verse 1:
I’ve been thinking bout’ your troubles…
And I wanna’ lend you my hand…
But I gotta’ start with loving’ me gurl,
Cause sharing that with you is so damn grand.
Chorus:
Kisses – Hugs- with sweet dew lovin’
Mornin’ – Wake up, a brand new day.
I’ve invested part of me
So I gotta’ walk this way…
Verse 2:
Cracked glass pieces in my head
Carefully exploring shreds
I’m so glad you read my thesis
Synthesize the peace with reason
Open heart, yup it’s still beatin’
Walk away and gurl that’s treason
You are the only one my mind and heart receives
Through reception that’s been cloudy
My Heart Sings....
Yes it duh uh uhs
Chorus:
Kisses – Hugs- with sweet dew lovin’
Mornin’ – Wake up, a brand new day.
I’ve invested part of me
So I gotta’ walk this way…
Verse 3:
You got me checkin’ my ole bags right at the door...
Open up the box with bruises and explore o ore
Chorus:
Kisses – Hugs- with sweet dew lovin’
Mornin’ – Wake up, a brand new day.
I’ve invested part of me
So I gotta’ walk this way…
walk this way…
walk this way…
walk this way…
[Instrumental solos with congas]
Chorus:
Kisses – Hugs- with sweet dew lovin’
Mornin’ – Wake up, a brand new day.
I’ve invested part of me
So I gotta’ walk this way…
gotta’ walk this way…
gotta’ walk this way…
Wednesday, April 1, 2026
Race my bike
[Chorus]
I get dressed in my gear so I can race my bike, race my bike, race my bike.
I 'm going to get faster when I race my bike.
I'm going to beat my dad this time.
[Verse 1]
I go to the basement to get my bike
walk it out
put my helmet on
I've got my knee pads on and elbow pads
So I can beat my dad.
[Chorus]
I get dressed in my gear so I can race my bike, race my bike, race my bike.
I 'm going to get faster when I race my bike.
I'm going to beat my dad this time.
[verse 2]
I practice every day because I want to win.
I want to go real fast. Fast like the wind.
I want to beat everybody, especially my dad.
I wish my bike was faster, that would make me glad.
[Chorus]
I get dressed in my gear so I can race my bike, race my bike, race my bike.
I 'm going to get faster when I race my bike.
I'm going to beat my dad this time.
[bridge]
my bike is blue
my gear is on
I know I can win
so I sing this song
I practice and I practice
my balance is good
I'm going to beat my dad
[verse 3]
I feel excited to start the race
I peddle hard and fast to pick up the pace.
I really want to win, so I do my best
Every time we race it's a brand new test.
[Chorus]
I get dressed in my gear so I can race my bike, race my bike, race my bike.
I 'm going to get faster when I race my bike.
I'm going to beat my dad this time.
Written: 2026 by Ishara Osprey Boykin & Atiim Boykin — originally composed 4/1/2026
Wednesday, February 17, 2016
Seasonz
CBA 123
Atiim-
I like the alcohol, atmosphere, and everything with it.
Put the blue jeans on, white shirt, and get kitted.
Set it down like a plane, from high, I skidded.
Touch down, baby girl, in your town, and I spit.
Get with it if you're ready to go.
VIP backstage with Bo.
Girl you already know.
I know you like the CD, because you're loving the show.
After-party 1 on 1 and you're ready to flow.
Let it go, let your hair down; we're losing control.
Pump your brakes because we're taking it slow.
Bridge 1:
Ali-
On the count of three, start to breath...
baby, don't be scared.
I just want to pull your hair...
Chorus 1:
Atiim-
Cocaine, Cadillac's, and Cuties;
Big bread, Battle-fields, and Beauties;
Alcohol, Atmosphere, and A game.
C-B-A's the Method, 1-2-3's the name.
Caramel, Cinnamon, and Candy;
Bad boys, Bubble buts, and Brandy;
Absolute animalistic aims.
C-B-A's the Method, 1-2-3's the game.
repeat
Verse 2:
Atiim-
A lot of diamonds in the rough, in the right place, at the right time,
but I can't get you out of my mind.
Finding myself, addicted to the time we spend.
(You're) more than a little loving, you're becoming my friend.
And I send you a letter in the midst of gems.
Cocaine, caddilacs, big booties and tens.
I mean the dimes, and the name brands, people that chatter.
Big chains, wine stains, but that don't even matter.
Because I'm thinking about the path we could walk and lead.
Big branches, little ranches, just from planting a seed.
You see, I want a real lady, not material things.
Bow down to the truth, and let my brother just sing.
Bridge 2:
Ali-
1-2-3, lady come sit next to me...
I won't bight too hard, I swear.
I just want to kiss you there...
I see you take control of train...
Every n#*g* says the same.
Where have you been before this second?
I'm so wrapped up, raptured, in your presence.
Chorus 2:
Atiim-
Cocaine, Cadillac's, and Cuties;
Big bread, Battle-fields, and Beauties;
Alcohol, Atmosphere, and A game.
C-B-A's the Method, 1-2-3's the name.
Caramel, Cinnamon, and Candy;
Bad boys, Bubble buts, and Brandy;
Absolute animalistic aims.
C-B-A's the Method, 1-2-3's the game.
repeat
Music Link: CBA on SoundCloud
Sunday, May 18, 2014
Try Again
Miss Fire
Thursday, March 20, 2014
US
Thursday, May 2, 2013
My Own Groove
[Verse 1]
Invest in society—
or slide the slippery slope to dope with no hope,
puff‑puff, just to cope.
A toke on a tightrope,
the drop so close—
buildings burned and trashed,
aftermath of the Watts smoke.
Oh—
and did I mention? Conventional ways don’t work.
Roll your sleeves up, buddy; it’s muddy in my work.
Fu*k twerkin’ and drinkin’ ya’ blues—
black‑eye bruise,
Black‑guy news,
dead on arrival in new shoes.
[Chorus]
Busy, busy—rat‑wheel race.
No legacy to take your place.
Though actions are inactions too...
so what is it you want to do?
The moonlight shines—
a light reflect.
The Son of Man—
recollect.
So I pray—
let God...
and STILL, I move.
The drum I beat—
my own groove.
[Verse 2]
Last Poets said “Niggas are scared of Revolution.”
But my Pops said,
a dog in a corner has two solutions:
jump and bite back,
Or continue to cry and cower.
Afros down to conks—
or locked up to Black Power.
That rope from “Strange Fruit” decayed decades later…
From bayous and waded waters
full of crocs and gators,
to corporate overseers and laws meant to make “just.”
But the just is just us—
and ICE for browns… what?
I’m a slave to the loans I took to level fields.
Ain’t no playin’ for me—if I do, then I spill.
The higher my opportunity, the education is nil.
Like crabs in a bucket, my legs held still,
my head pushed down, my hands trampled on—
so I write, and recite,
prayers shaped like rap songs.
[Chorus]
Busy, busy—rat‑wheel race.
No legacy to take your place.
Though actions are inactions too...
so what is it you want to do?
The moonlight shines—
a light reflect.
The Son of Man—
recollect.
So I pray—
let God...
and STILL, I move.
The drum I beat—
my own groove.
[Bridge]
In the name of one Being,
and being one in frustration—
Me, Buddha, Muhammad, Jesus,
to ascend this creation.
This physical world is hell,
to a cell their paths lead.
If I protest and scream,
or sell cream so I can buy some things—
[Verse 3]
different names in a game still the same.
Rules may shift, but the gist remains;
‘cause they still work—
and reign supreme.
Chains on breath… can’t say their names.
So glitz, glam, bling—
the pacifiers.
At day’s end,
Judas— you’ll deny us.
Unless the infinite sky is blocked,
that voice within won’t ever stop.
Stay conscious—woke—or wake up now!
The end is near the thrown‑in‑towel.
Still, the dawn will rise, and dusk will set.
The toiling keeps a knee on necks.
[Chorus]
Busy, busy—rat‑wheel race.
No legacy to take your place.
Though actions are inactions too...
so what is it you want to do?
The moonlight shines—
a light reflect.
The Son of Man—
recollect.
So I pray—
let God...
and STILL, I move.
The drum I beat—
my own groove.
Wednesday, February 29, 2012
Dictation
You're pulling my chain gurl, don't lie unless you're next to me. You tickled my tongue with pearls of wisdom - now you sing Glee.
Lick on my dictation, swallow my pride for me. A thesis of long thoughts. A burst of this ener-chi.
Hold part of my manhood with gentleness -Now look at me. I'll dig for the truth, gurl. Objective I will set you free.
Wednesday, February 8, 2012
Realize
with real eyes
that the real lies
are in disguise
The guise is a lie
that play tricks on your eyes
So feel with your heart
Third eye gaze to part
the fake from the realness
The REAL eye can feel this.
~Atiimacleez 02:08:2012:11:59
Thursday, August 18, 2011
Rehab: Amy Winehouse cover with lyrical edits by Atiim Chenzira.
I can only hold her: Amy Winehouse cover with lyrical edits by Atiim Chenzira.
Her soul is shaken.
I ask myself, "what have I done?"
But what's inside her never dies...
And I've tried and tried to pacify her,
Sunday, June 12, 2011
Ghostwriter Verse w/ Con Brio
To open this door to my mi ii iind
I had to clear these baaags be for oo ore
They tumbled out and hurt some mooooe
From tropical to feeling snow
I had to leave and that you knoooooow oh oh uh ooo oo
But you don't know the reason why iii ii
This treason killed me slow insiiii iiii iiide
So now I'm sifting through my mess
Dealing with my stress....
I was blinded by my haa annds.
Wasn't worthy as your friend...
I have to get his off my cheeeeest,
I wasn't doing my be eee est.
Now I was married once be fooo oooo oh
Then Fear and Doubt came through my Do ooooo oow ooow oo oo oooo o
So then I ran, I ran away, I ran away aaa aaa aaa
But now I'm back right here TODAY!
Without you gurl, I'm not okay....
Please take me back and let me stayyyyyyy ay aye ayyy aye a.
(Xandra)
(Atiim)
Baby don't you walk away aye ayyy
Baby don't you turn your back on mee...
(Xandra)
Baby when you walked awayyyy
Baby when you turned your back on me......
(Xandra & Atiim)
You set me freeeeeeeeee,
(Atiim)
but I loooo ooove YOUUUUuuuu!
(Xandra)
I looo uh ve you....
Friday, April 22, 2011
I'm King Kong
King Kong the dong
swipe master the flows
muffled sounds out the pipe
skid marks on the mic
rah
phone
Home like ET
the glammer and glitz
putting on, putting on, putting on the
fritz...
the shits hot and smoking like it just came out.
You can have it all for free, but not when when you come out
to see me.
Yup at the door you'll find a box to contribute too
build up the value and you value the show dude
or dudet space cadet
I'm flying high like a Hawk
feathers in my hat
bats
on my porch and I broom
pat
em on their head and they get flying the night skies
Owl in a towel
drying out from a dead flight
I write and spit it get it, get it
it's got now.
Download whatever
if you want it you can have it
I smile.
It's yours now.
I'm King Kong
The Dong
Swipe master the faster you move...
Bruce Lee
Whaaaaaaa!
Saturday, September 11, 2010
Oh Lord: where are you?
Right Now!
Friday, September 10, 2010
Reachin'
I keep reachin' for the top.
I can't stop until I find a key, but maybe that implies there's a door.
I can't take it no more.
I'm a carpenter, creative, so I build from the floor.
Babel in the Babylon.
One tree and another till the whole World's bare.
Like Cybertron, transforming from my old fears.
I hear something in the distance, and sounds like it's me, and I think that it is.
No shit...
I reflect the protection, the imperfection.
I'm living in a section that really needs help, but I can't help you until I help myself.
Can't sit like a book collecting dust on a shelf.
Oh well, blow it off, and I keep on pushing.
Sew up the bleeding heart syndrome that keeps on mushing.
Squishing in a little bit of me time too.
Eyes shining red, and a heart that's blue.
Brrrreeeeeaaaaath.....
I can't just leave it alone, until a king on a throne is crowned me.
Glory to the C - O - M - M - (U - N - I - T - Y!),
Cause that's what I aspire to be, aspire to lead, aspire to seed, aspire to grow.
"Come on in y'all. The doors are open folks. Now have a seat."
Chorus 1:
I keep reachin' for the top. (For the top)
I can't stop. Cain't find it round' here in the bottom where I dropped.
I keep reachin' for the top. (For the top)
I can't stop. Cain't find it round' here in the bottom where I dropped.
Echo's of the silence...
Taste the after-math, blood bath, and hate.
Take your time if you want to, but it takes you.
It almost took me, but I'm back on the crew.
Chorus 2:
Verse 3:
Ask for wisdom at its simplest don't ask for the rest, cause' everyday single day you breath you'll be put to the test.
So I invest all my energy, the best of my time.
Like the Wile E. Coyote, but I'm out of my mind.
And the sign said stop, but I went right through.
What the hell is going on?
Yeah, I'm talking to you.
It's a profession of oppression, suppressing the truth.
Got to be about it, keep it moving, and do what you do.
Even if they tell you that you can't, you show and you prove.
Sharing their fear with their love.
Hear it but don't give up.
Ambitious, wishes, dreams, plotted goals...
When it rains let it pour, rainbow, pot of gold.
Hold On!
Ancestors...
If they gave up too quick/sand...
Flip the script man...
Stroke the paint brush with your plan.
Stand on your own two.
Entrepreneu' to do what you wanna' do.
Chorus 3:
End.
Tuesday, March 16, 2010
No Re-hearse
Verse:
I...
shoot from the hip, and I stand real tall...
If I...
jump off the cliff I take the risk to fall.
If I...
flap my wings you say I really don't have...
and fly away, you'll be so damn mad.
Or,
maybe congratulating my new flight,
might even jump and take that chance tonight.
Now...
the days are limited with flesh and blood,
but...
the spirit soars no matter who can judge.
IF...
you don't shine that lil' light inside,
then...
You're JUST a slave to the path of the blind.
Chorus:
Now get up,
stand up,
and do your best....
You best invest into your own life test...
And...
if it's too easy and your studying pays... off.
Then tutor me because I might get laid off.
You're not too heavy, not a burden at all.
I'm not your keeper, but I'll help you stand tall.
The only way is being true to me first.
Let's take a chance and do it live, no re-hearse.